论张爱玲家族叙事的独特情调(on the unique sentiment of eileen chang's family narrative)

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1、论张爱玲家族叙事的独特情调(On the unique sentiment of Eileen Changs family narrative)A unique flavor on the Eileen Chang family narrativeSource: China paper Download Center 09-07-04 08:48:00 author: Cao Shuwen editor: studa090420Key words: family desolate moodAbstract: Eileen Changs novels especially the family

2、narrative discourse the deepest impression is its omnipresent desolation, and desolate narrative sentiment comes mainly from the decline of family life experience nightmare psychological and emotional pain to bring the era of chaos and destruction of all the war exacerbated the author bleak therefor

3、e, regardless of her life experience, writing narrative has shrouded an ancient atmosphere of sadness, feelings of sustenance, she implied that her love for the secular feelings of the world of the double disappointments of the past and the future.Eileen Changs novels especially family narrative dis

4、course the deepest impression is its omnipresent desolation, no matter how busy the details of individual art, the theme to create a pessimistic, the vast expanse of the earth is really clean the bleak, decline of images, melancholy music, memories recalled intonation, divide between people, people

5、of the lonely heart together to create such a bleak and desolate atmosphere, narrative sentiment comes mainly from the decline of family nightmare life experience to the author about the psychological and emotional pain, era of chaos and destruction of all the war exacerbated the author miserable li

6、fe experience. Therefore, no matter who wrote her narrative, is an ancient shrouded atmosphere of sadness, feelings of sustenance, she double down the past and the future she hinted to secular Human feelings of love.OneEileen Changs family narrative the deepest impression is the omnipresent desolati

7、on, the desolate first presented as a decline in the outside world, the living environment of people lack the breath of life and lonely, his home is a big house. From the beginning when they moved to Shanghai, a yard full of flowers and trees, not two or three years, dry dry, dead, cut off, the sun,

8、 eyeful desolation ( Jasmine jasmine scented green tea ). The first is the decline of specific home desolate, fallen in White Residence like singing off board, not life, home and closed the huqin outside the meantime youth gradually dim is synchronous, White Residence is such a bit like a fairy Dong

9、fu here: loiter over a day, there has been one thousand years. But here the past one thousand years, the same day almost every day is the same, because of the monotonous and boring. Fringed with his arms crossed, clinging to her neck. Seven or eight years in a blink. Are you young? It does not matte

10、r, two years old, it is not rare here. Grind down year after year, eyes dull, dull person, the next generation is born. With the home desolate contrast is a symbol of family run down scene, the ancient houses, ancestral glass jade snuff bottle, Qing Dynasty costumes, musty old fur, stopped the machi

11、ne includes years of enamel have been bad, lose the rhythm of life Hu Qin, mahjong table, all give a person with a sense of sadness. Not only that, always in the poets poetic moonlight to cold feeling, the moon rise two days late, the night, the moonlight shining a frost, a cold, the days are lit up

12、. Chicken four, just as a big city, and like a village, sleeping in bed to listen, there is a kind of cold feeling ( forever ). Emotional music and less life cheerful, convey is desolate life experience. Ying pearl hear in Mao Yaoqiu rain lover house is not the usual Waltz tune easily, Waltz tune, s

13、winging out loud, shock, thrilling, almost unbearable, emotionally torn. Especially now, dark room, getting dark, gorgeous album has a point in the desolate, like Jiulanrensan ( Genesis ). Babbling little love in his Hu Qin pulled,Thousands of lights in the night, pull over and pulled in the past, t

14、he endless desolation story. To add a touch of melancholy and sentimental, as a symbol of modern civilization of the tram did not bring hope and vitality, have become a primeval desolation, an empty car parked in the street, the tram light outside, the sun, the sun is only inside the tram, the Tram

15、- it is a primeval desolation. Desolate has almost become a unique flavor of the Eileen Chang family narrative.The scenery is desolate because of the feelings of the personal subjective factors caused by the king of all words are love language. In the works of Eileen Chang desolate is the characteri

16、zation of diaphragm, between people unable to communicate, alone. Eileen Changs characters often in the lonely predicament, though full of anguish but can not find the object of a talk, people live in a narrow circle, immersed in their joys and sorrows, it is difficult to relate to others and, even living in the same family at the edge of the role of little importance, Genesis in Ying bead at home on the one hand, o

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