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1、毕业论文水浒传女性形象分析 语言文学论文 摘要 水浒传不仅塑造了路见不平、拔刀相助的英雄好汉同时也塑造了许多有个性的、活生生的女性形象这些来自社会各个阶层的妇女形象从不同的角度反映了当时的社会现状水浒传所刻画的女性主要分为3大类：1类是女英雄如扈3娘、孙2娘和顾大嫂；1类是淫妇如潘金莲、阎婆惜、潘巧云等；1类是败德的恶妇如王婆、刘高之妻、白秀英等作品中流露出漠视女性、践踏女性、“女人祸水”等观念即便是对3女将的描写也与男性趋同将其雄性化了作者妇女观的形成首先与其亲身经历有关作者是1位正统的儒者对女性的看法难免是落后的其次与当时小说的题材有关元末明初的乱世百姓向往统1大业期盼英雄而活跃在政治舞台
2、上的多为男性再次与当时的审美意识有关第1褒阳刚而贬阴柔之美；第2重“理”轻“情”最后,与当时的哲学思想有关水浒传的成书过程与封建理学的成熟期相1致故受封建理学影响较大 关键词：水浒传；女性形象；妇女观；根源 ABSTRACT TherearenotonlysomeheroesbutalsoalotofwomensimageinWartersideStory.Thesewomensimagefromvariouscircusofsocietyhavereflectedthesocialcurrentsituationatthattimefromdifferentangles.WomeninWar
3、tersideStoryaremainlydividedintothreekinds:Onekindisaheroine,suchasHuSanNiang,SunErNiangandsisterinlawGu;Onekindiswantonwoman,forinstance,PanJinLian,YanPoXi,PanQiaoYun,etc.Anotherkindisevilwoman,forinstance,WangPo,thewifeofLiuGao,BaiXiuYing,etc.Themidstreamoftheworksemergesandignoresideassuchaswomen
4、,tramplingonwomen,Wartersidewomansmisfortuneetc,evenifitisconvergentwithmantothreewomangeneralofdescriptionstobe,itbeingmale.Theformingofthewomenviewofauthor,firstly,theauthorisaorthodoxConfucianismperson,theviewofwomanisunavoidablebackward.Secondly,relatedtothesubjectmatterofthenovelatthattime.Intr
5、oubledtimesofthebeginningofMingDynastyandtheendofYuanDynasty,monpeopleyearnforthereunification,lookforwardtoheroes,andtheonethatenlivenonthepoliticalplatformismostlymen.Moreover,relatetoaestheticconsciousnessatthattime.First,praisemalegenitaldemoteovercastgentlebeautyjust;Second,laystressonScienceinsteadofmakelightofthefeeling.Finally,relatedtophilosophythoughtatthattime.BeingbookcourseandconformingwithmatureperiodoffeudalNeoConfucianismofWartersideStory,soreceivefeudalNeoConfucianismofgreatimpact. Keywords:WatersideStory;Womensimage;Theviewofwoman;Origin
