中南民族大学 硕士学位论文 杨炼史诗的现代性分析 姓名：蔡涛 申请学位级别：硕士 专业：文艺学 指导教师：罗秉武 20080520 1 中文摘要 中文摘要 作为朦胧诗的殿军，杨炼史诗有着明显的时代印记，他对历史现实的深切关 注和民族命运的思索， 也有着自己宏大建构的独特追求和对生命意义的追问…… 在朦胧诗退潮后，杨炼着力于对人的讴歌和生命张力的礼赞，从历史忧思到生命 礼赞的诗学转型，是一个现代性的神话 作为从政治运动中走出的一代， 杨炼在八十年代初创作的一系列作品有着明 显的时代印记，他正是从那个黑白颠倒的年代数着自己的伤疤，在向历史掘进的 过程中，杨炼开始了对历史体系的关注，力图从民族文化的源头发现些什么组 诗《半坡》展示了人类生存物的存在现象以独特的人物视角，关注神话英雄的 背后故事，表达诗人对人类生存和延续的各个环节的思考在《敦煌》组诗中， 则开始提出个人化特征比较明显的见解， 杨炼不仅对传统的认知展现出归来者的 置疑，更给予了现代化的解读，乃至想要构建自我内心世界 《诺日朗》在诗思 走向上采取的是一种宇宙人生本体的整体观照模式 诗人在生命系统生死循环的 流程中，提升了对原始生命强力和感性生命的张扬。
组诗以张扬诺日朗的生命力 作为特定切入角度，来充分展示生命本体的宇宙定位作品磅礴的气势，恢弘的 结构，深邃的哲理，以及现实与环境的交错，自然与历史的交融，在西部的自然 景色和文化精神中，化入了他个人的感悟和集体无意识的积淀，在巫幻的基础上 重塑了一个新的神话模式，使现代意识骨子里返回古典，走向自然的情绪有了皈 依的载体在这里，杨炼以对原始生命强力的礼赞和欲望的本色流露，讴歌生命 繁衍的力与痛苦的壮美 在 20 世纪 80 年代“归来的一代”的呼喊人的觉醒，人的解放和人性的复苏 的浪潮中， 杨炼实现了从 “作为民族的一员而歌唱” 到 “作为一个人而歌唱” ， 他 强调自我建构和是人的功能和作用， 突出地强调诗人作为诗的创作主体的作用和 价值，以及诗人的心灵的创造活动对于诗的本质的决定意义，想要建构一个民族 的与自己的完美结合的大写的“我” 意象是现代诗的“预制板” ， 杨炼史诗建 构起庞大繁复的意象符号系统和一系列初步经典化的意象生成及结构方式 而杨 炼象征不仅使诗歌独立自治， 还要使它奥秘， 让诗歌能够实现物质与时间的杂质， 重新获得神秘的气质， 由此， 杨炼开始了诗歌的本体思索， 他认为在诗的创造中， 使诗的传统与现代、历史与现实、心灵与世界、知识与经验、发生多重多极的遇 合，使诗的创造最终脱离诗人一己个性的表现、一己情感的抒发，成为超乎这一 切之上的一种综合的智力活动。
这样，杨炼就把他对诗的本体问题的思考，把他 多致力于重建诗的本体观念，逐渐引向了他所创造的一个“智力空间”的概念 作为一种新的诗歌本体论观念， “智力的空间”所要探索的，首先是诗作的本身 的组合关系在理论意义上，指出一种与我们所处的文学时代相适应，同时具有 中国特色的现代诗观；在创作意义上，标明构成智力的空间------智力诗的方式和 可能；在批评意义上，提供一个从考察诗作本身的空间结构出发的判断标准 杨炼史诗的现代转型，既是对 20 世纪中国诗歌新传统的继承，又是对西方 现代诗歌技艺的借鉴和中国化，并走出了一条自我建构的路，其现代性的诗意和 诗艺，其现代性动力探源，是中国新诗现代嬗变的缩影 2 Abstract As a representative of misty poetry , Yanglian epic has apparent imprint of the times , his deep concern about historical reality and his thought about national destiny . also , there is his unique pursuit and his thinking about the meaning of life……When his misty poetry is not popular , Yang Lian focus on praising people and life. The transition from historical caring to life’s praising is a modern myths. As one who comes from a generation of political campaign , his a series of works in 1980s have the apparent imprint of times, he is one who counts his scars at that black-and-white-reversal age .In the process of marching to history , Yang Lian began to concern about the historical system , he wanted to find something from the source of natural culture . Sequence Ban Po shows the phenomenon of human living species . Using the unique visual figures , concerning heroes’ behind stories , expressing poets’ thinking about human’s living and extending . In sequence Dun Huang , he started to mention personal characteristics rather obvious opinion , he not only gave his returner’s doubt about the traditional cognition , but also gave his understanding about modernization , he even wanted to construct the inner world of self- . Ruo Ri Lang uses a overall referenced pattern about university and life . In system life cycle of life and death process , the poet improved his concerning about the original power of life and emotional life . Sequence views boasting Ruo Ri Lang’s life as the special angle , showing life’s universal placement . The work is in large momentum ,big structure and deep meaning. What’s more , the reality and environment staggered , nature and history integrated . In western natural scenery and cultural spirit , he immersed his personal thinking and accumulated the collective unconscious . He reshaped a new myths model on magical basis , making modern conscious return to classic and 3 natural feeling has then vector conversion. Here , Yang Lian praise life and multiply the suffering of sublime by praising original life and people’s original desire. In 1980s wave ,the returning generation called for people’s awakening , people’s liberation and the recovery of human nature. Yang Lian sung from a member of People to sing as himself . He emphasized self-construction is people’s function , he gave more emphasis about poets’ function and value as the creator of poems, and poets’ creative activity is essential to poem’ essence . He wanted to construct a perfect “me” , who is a perfect combination of nation and himself. Image is modern poems’ pre-assignment .Yang Lian epic constructed a lot of image signs and a series of classical image constructions. Yanglian image not only makes poetry independent , but also makes it mysterious- let poetry realize the purity of material and time, gain mysterious temperament. So , Yang Lian began his ontology thinking about poetry: create poetry by making a complex combination of tradition and modernization, history and reality , soul and world ,knowledge and experience . Make the creation of poem become a comprehensive intellectual activity. In this way , Yang Lian leaded his concept of ontology thinking and metaphysics to the concept of intellectual space . As a new poetry ontology of the concept , “ intellectual space” has to explore the combination of poetry .In theory meaning ,there is one kind of modern poetry view which adopts to our literary age . In creative meaning , signs intellectual space - intellectual poetry’s ways and possibility. In critical meaning。