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1、Global top 10 recording artists of 2016 ANNUAL STATE OF THE INDUSTRY GLOBAL MUSIC REPORT 2017 Never stop playing. WELCOME Plcido Domingo Chairman, IFPI T he IFPI Global Music Report tells a positive story of music being enjoyed by more people in more ways than ever before. At the heart of this story
2、 are incredible artists, supported by the invest- ment and innovation from record companies and other partners that is helping them to share their music with the world. We are now in an exciting era in which streaming is making the depth and richness of every kind of music available to hundreds of m
3、illions of people, with artists connecting more directly and more quickly with their audiences. Challenges remain, however, and the fair remunera- tion of those that create and invest in music must be a priority in this increasingly digital world. The whole community is uniting in its efforts to ens
4、ure that music is properly valued so that artists and their work can thrive. GLOBAL MUSIC REPORT 2017: ANNUAL STATE OF THE INDUSTRY3 GAIN ACCESS TO MUSIC CONNECT The Industrys Most Trusted Data downloads to streaming; ownership to ac- cess. The industry is now working with its partners on another, o
5、ngoing transforma- tion: from years of decline to sustainable growth. While physical sales remain significant in certain territories and for certain artists, there is no doubt that streaming is the key driver of growth, with the number of users of paid subscriptions having broken the 100 million mar
6、k and continuing to rise. Fans are engaged with music in an amaz- ing variety of formats, from the vinyl revival to the phenomenon of musical.ly, but the growth story is centred on services which are widening streamings demographic appeal. Record companies and their distri- bution partners have been
7、 instrumental in this, licensing more than 40 million tracks to hundreds of digital services worldwide and developing the high performance systems that allow music to be accessed around the world. Their approach has been global in scope and yet local in execution, adapting their practices to open up
8、 legal digital markets for music. The transformation has created an enormously exciting environment for mu- sic fans, who are benefitting from new and evolving services and accessing more mu- sic than ever before. In turn, artists have more ways to connect with their fans and more opportunities to s
9、hare their work in diverse and creative ways. If the digital market continues to grow, so too will the overall level of remuneration to artists, as will the levels of overall investment re- quired to create new music whilst helping to drive digital innovation. However, this is far from mission ac- c
10、omplished. Instead, as the market con- tinues to evolve at a pace never before seen, the industry is seizing the moment, driving further innovation and exploring ever-expanding new ways of engaging with fans around the world. Realistically, for this growth to become sustainable, for investment in ar
11、tists to be maintained and for the market to con- tinue to evolve and develop, more must be done to safeguard the value of music and to reward creativity. For music to thrive in a digital world, there must be a fair digital marketplace. Artists and creators have spoken about the global value gap, wh
12、ereby safe har- bour legislation dating from the Internets early days is being abused by user upload services such as YouTube, who are not li- censing music on a fair basis. Gradually, policymakers are beginning to listen and legislation is being examined or proposed in some territories around the w
13、orld, in- cluding in Europe where the European Commission has recognised the existence of a value gap and begun working towards legislation. However, this is a global prob- lem that requires legislative solutions across the globe. The industry continues to fight worldwide for a level playing field f
14、or fairly licensed digital services. Copyright infringement, in a variety of guises, remains a major issue, with the growing practice of stream ripping now very much part of the challenge facing our industry. With an unprecedented amount of licensed music now available to fans, these practices have
15、no place in the music world, today or tomorrow. The global music business is changing more significantly and quickly than ever before, but the fundamental role of a record company remains the same: to discover, nurture, support and promote artists and to make their music accessible around the world.
16、 INTRODUCTION Modest growth, limitless potential. Frances Moore CEO, IFPI INTRODUCTIONGLOBAL MUSIC REPORT 2017: ANNUAL STATE OF THE INDUSTRY7 GLOBAL CHARTS Most popular artists and best sellers of 2016. TWENTY ONE PILOTS 2015 top 10 list: 1 ADELE 2 ED SHEERAN 3 TAYLOR SWIFT 4 JUSTIN BIEBER 5 ONE DIRECTION 6 COLDPLAY 7 MAROON 5 8 SAM SMITH 9 DRAkE 10 THE WEEkND DAVID BOWIE ADELEJUSTIN BIEBER BEYONC DRAkECOLDPLAY RIHANNAPRINCE THE WEEkND TOP 10 RECORDING ARTISTS Source: IFPI. Th
