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1、此文档是毕业设计外文翻译成品（ 含英文原文+中文翻译），无需调整复杂的格式！下载之后直接可用，方便快捷！本文价格不贵,也就几十块钱！一辈子也就一次的事！英文2700字，13805英文字符，中文4468字。外文标题：Asia-Pacific Graphic Design Tradition and Future出 处： Asia-Pacific-DesignNO.8 ,2017(如觉得年份太老，可改为近2年，毕竟很多毕业生都这样做) 作 者： Ulhas Moses 原 文：Asia-Pacific Graphic Design Tradition and FutureAs the practi
2、ce of design in the 21st century enters into the realm of interaction and experience design, the rich visual tradition of Art and Design of Asia assumes a significant role for Asia-Pacific Graphic designers.With the advent of globalization and new media, technology has now become easilyAccessible to
3、 the masses and the playing field is leveled. Asian designers now have at their fingertips all the modern tools and facilities for creative expression. Considering the stunning level of design and craftsmanship that has been achieved in ancient times in Asia only with manual tools one can only imagi
4、ne an entirely new dimension of human creativity opening up with the use of digital tools.The fundamental grammar of graphic design are form and function, line and color. Semantics, iconography, metaphors, symbolism, geometric abstraction, algorithmic procedures, programmed variation, hierarchy of s
5、pace and measure, grids, narrative and storytelling. Contemporary Designers can draw upon these principles which have been used with great refinement and have been perfected over centuries in the Asian methods and philosophy of design.The Asian image making tradition is entirely concerned with absor
6、bing, and communicating the essence of an idea and giving visible form to formless concepts and complex abstract ideas. These sophisticated image visualization and form generation procedures and techniques that have been developed, are a treasure trove for graphic designers today and can be utilized
7、 whenever concepts have to be given form.One of the most valuable traditions that Asian graphic designers can draw upon is in the important but often over-looked area of typographic communication. The eclectic scripts and languages in Asia open up innumerable forms of experimentation with type desig
8、n to produce culturally richer and locally appropriate typographic based information design. Graphic designers in the Asia-Pacific region are now more than ever faced with the challenge to use design as a powerful tool for social change and transformation amongst the masses by developing unique desi
9、gn solutions to design problems that are specific to the Asian region and its people, design that is relevant in its cultural and social context and yet universally articulate.With a strong footing in the knowledge base of Asian design traditions, contemporary designers in the Asia can look towards
10、the future confidently as leaders, pushing the boundaries of creativity and innovation.Graphic Design in the Asia-Pacific region is fast developing as an individual movement and assume a new role revitalizing modern design, giving it the much needed depth.Bright Future of Asia-Pacifics DesignModern
11、design originated from western European countries. When Asian countries are learning modern design and discussing about its history, they will always start with The Crystal Palace built for London World Expo in 1852.The history of modern design is a development history of design, with the mainstream
12、 of Europe and America design. With western civilization became prosperous, various style schools were influencing design industry all over the world.It was proud of some Asian designer to advocate the works of western design styles. Japanese designers aroused the oriental designers attention to the
13、 relationship between their own cultures and modern design. For instance, with its modern but Japanese design style, Tanaka Ikko found a method to integrate the traditional culture and modern design. This method became the example of Asian designers.In 1980s,as China market was opened, different des
14、ign concepts came to China. Design is different from art, because design is more than an expression of peoples emotion, but its the solution to peoples problems. There are not only problems about economy, but also about culture, society, even politics. But in western countries, design is not as feat
15、uring as before with its the foundation characters, such as function oriented feature and solving problems; but it is towards to being similar like art, especially western countries with well-developed design industry, such as Netherlands, where design and art is undistinguished.As Mainland China op
16、ened up, modern graphic design concepts were introduced by Hong Kong into Mainland. But it was a rough time for graphic design with the medias indifferent attitude. When the original posters were criticized for departing from real life, Chinese designers got interested in traditional posters. After all, it the demand of the whole society and the apprecia
